Jared Michael Delaney is a stage/screen writer & actor based in Philadelphia Pa. His full lengths plays have been produced at Perseverance Theatre, New Jersey Repertory Company, Inis Nua Theatre Co, Edinburgh Festival and Theatre Conspiracy. His short plays have been been part of the recent QuarenStream, 1MPF & Going Viral online festivals and others have been produced by Athena Theatre, NJ Rep, MadLab Theatre, Aberrant Theatre, Pegasus Theatre, Raze the Space and the Philadelphia LiveArts Festival. His work has been further presented at the Valdez Theatre Conference and the Sewanee Writers’ Conference, in readings across the country and developed in writers’ groups Athena Writes and The Foundry. His play, Voyager One, was named a “Top Ten Production of the Year in New Jersey” in 2019. M.A., Villanova University; M.F.A., Queens University of Charlotte. Member: Dramatists’ Guild, AEA, New Play Exchange. Further education: Script Anatomy, Sundance Co/Lab, the Playwrights’ Center, PlayPenn, DGF. ms.

Artistic Statement

I grew up in northeastern Pennsylvania, child of the first generation of an Irish-Catholic family that had reached levels of higher education. Grounded in a staunchly Democratic ethos, that put high value on the virtues of hard work and fairness, along with a joy of storytelling. As a result of this upbringing, I came to view the theatre as a profession no different in its way from my grandfathers' (one a dry cleaner, the other worked for a local bank). Go to work, do your job, go home. In other words, the theatre is still a workplace.

Having said that, however, being workmanlike doesn’t mean abandoning what makes it unique: Theatricality.

This term, theatricality, can be hard to define. But like pornography, you know it when you see it. It’s what expands the world of the play beyond the walls of the theater. Moments wherein we forget that we are sitting in the dark anonymously and instead are transported to another place entirely. As theatre artists, I believe we should be doing our part to make those moments as palpable, powerful, strange and compelling as we can. And I gotta say, another domestic drama that features a couch as its central set feature isn’t going to get ‘er done. But one wherein the couch becomes a luminous creature from the ether (or you know...whatever), that could do the trick. In my case, the theatricality is a pride of lions on stage, a mysterious being that vanishes in a flash of light, a closet in a politician’s office that absolutely vomits detritus and a man seeming to shrink every time he appears during a Rolling Stones’ concert in 1969.

We’re in the theatre, for Pete’s sake. Let’s have a little magic.

According to Shakespeare, the actor’s job, and by extension, the theatre’s, is “...to hold, as ‘twere, the mirror up to nature.” In other words, yes, we should reflect what we see around us, but not replicate it. This is an incredibly important distinction and one which we must do a better job to honor if we want the theatre to continue to live in a world of endless choice and content. There are strange and fascinating worlds hidden in those reflections. They surely deserve as much exploration as our own.

So that’s the art.

As for me?

I’m a lover of soccer, pro cycling, Notre Dame football and Villanova basketball. My obsession with live music is a problem. Like maybe needing to be in “concert-going rehab” problem. I’ve probably seen your favorite band. Twice. I like comics, horror flicks and playing cards (pitch, anyone?). I like hiking and bike riding and adventures. I owe my mother everything and grateful to my father for everything else. Got a great brother, cool sister-in-law and two fantastic twin nephews. And a woman who I adore.

And I think shine may be the greatest word in the English language.

That’s that.

Go outside. Listen to some music. Laugh a bit. Read a play. Live your life.

Day’s a-wasting.

Thank you for your time and consideration.*

*if you’re curious, I was listening to Greensky Bluegrass while editing this. Give ‘em a try.